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cultural site located in eastern China's Zhejiang province.The Book of Rites,one of the classical works ofConfucianism,also records that there were already mats made of cattail grass and professionalstraw-weaving craftsmen during the Zhou Dynasty.Straw weaving is a method of manufacturing daily items or artworks.It was listed as a nationalintangible cultural heritage in 2008.Wu explains the process of straw weaving:selection of materials is the first step of a complicated,time-consuming and labor intensive process that can take weeks,or even months,to complete.You need to sketchthe piece on paper,which requires drawing skills.Next comes weaving,shaping and preserving of the work.Even by finishing that process,it does not mean that you will always create a good piece of work,and thehardest part is to make it lifelike.In the past,woven straw items could be found almost in every household in the countryside,such asstraw hats and straw shoes,because they were practical in everyday life.But due to the impact ofindustrialization,manufactured goods have replaced such products,which yield low profits,and there areonly about 100 individuals engaging in the work across the country."The world has changed,and craftsmenneed to transcend practicality and pursue the beauty and artistry of straw culture to help the craft survive andthrive,”Wu says.From her perspective,straw weaving should respond to people's needs and preferences,while stilldrawing inspiration from traditional culture."Craftspeople should make a great effort to grasp the trends andopportunities of the times to create new and relevant products,"she says.When asked about her plans,Wusays she wants to dig deeper into local traditional culture and create cultural creative products by developingthe straw-weaving technique.24.What does paragraph 2 mainly tell us about straw-weaving products?A.Their major uses.B.Their historic origins.C.Their cultural value.D.Their manufacturing process.25.Which is the toughest part for straw-weaving craftsmen according to Wu Cui?A.Making the artworks vivid.B.Drawing sketches on paper.C.Selecting suitable materials.D.Preserving finished products.26.What does the underlined word "transcend"in paragraph 5 probably mean?A.Rely on.B.Cast away.C.Turn to.D.Go beyond.27.What can we learn from Wu Cui's opinion according to the last paragraph?A.Straw-weaving products are out of favor with customers.B.Craftsmen should innovate the craft based on traditional culture.C.Local people benefit a lot from the straw-weaving techniques.D.Pursuing fashion should be the first priority for craftspeople.C